They can be folded as required, redesigning any corner with elegance, delicacy and discretion. We are talking about the Plot modular room dividers. Designed by GamFratesi and produced by Poltrona Frau, the Plot room dividers have a simple design that embellishes the home in addition to creating separate spaces and guaranteeing greater privacy. The most distinctive detail of this product is the geometric patterns created using plaited leather. In the Round panels this weave plays with the shape of the circle, presenting various combinations, while in the Square panels the geometric shape is, as the name suggests, the square. The Plot room divider is available in two, three or four modules. The structure consists of aluminium tubing veneered with a moka ash finish. The vertical and horizontal tubes are connected with metal joints with matt brass finish. The conical caps at the bottom, also in metal, are painted. The structure is supported by metal feet with matt bronze finish. The woven bands hooked to the metal tubes are in Pelle Frau&reg; ColorSphere&reg; with pre-established colour combinations. The possible colour combinations between the vertical and horizontal bands are: - Pelle Frau&reg; SC 26 Topo/ Pelle Frau&reg; SC 28 Seppia - Pelle Frau&reg; SC 44 Noisette/ Pelle Frau&reg; SC 42 Maquillage - Pelle Frau&reg; SC 44 Noisette/ Pelle Frau&reg; SC 99 Carrubo - Pelle Frau&reg; SC 66 India/ Pelle Frau&reg; SC 67 Chiodi di garofano - Pelle Frau&reg; SC 173 Glauco/ Pelle Frau&reg; SC 180 Celadon - Pelle Frau&reg; SC 248 Iris/ Pelle Frau&reg; SC 99 Carrubo

GamFratesi

PLOT Folding Room Divider

The Ginger Ale armchair is a simplified and more informal version of the Ginger armchair, one of the most successful chairs in the Poltrona Frau catalogue. Comfortable, versatile and elegant, the Ginger Ale armchair lends itself both to workspaces, individual workstations or meeting rooms, as well as domestic settings, such as the study or dining room. With the specific aim of catering for all needs, Roberto Lazzeroni designed it with both a painted metal base and with wooden legs, allowing for a total of five different bases. There are four metal bases which are available in two finishes, Cemento and Antracite: - base with conical legs - 5-spoke base with castors, available in both the 360&deg; swivel version with fixed height and version with height-adjustable gas spring. The wheels are soft self-braking swivel castors with black plastic support for the painted versions. - four-spoke base - base with column, in both the fixed and swivel versions, with shock absorbing device and automatic return to the starting position. As well as the four metal bases, Ginger is also available with four triangular-profile solid ash legs, available with moka or wenge-stained finishes, stained according to sample or with RAL lacquer based on a sample. The shell of the Ginger Ale armchair is made from moulded thermoplastic composite polymer and padded with polyurethane foam. It is available: - painted in anthracite colour (Antracite) - painted in cement colour (Cemento) - entirely upholstered in Pelle Frau&reg; leather - entirely upholstered in Kvadrat by Poltrona Frau fabric.

Roberto Lazzeroni

GINGER ALE Armchair

A unique block of marble in the world, a masterpiece of nature. A single piece. Poltrona Frau discovered it and asked designer Roberto Lazzeroni to design an object of great character to further increase its value. Inspired by the beauty and uniqueness of the material, the designer created ""Infinito&infin;"", a table-sculpture with an amazing scenic impact. More a work of art than a design object, the table Infinito&infin; cannot be replicated and has been produced in a limited, numbered and signed amount. With this table-object d'art that has no equals even in its own production, Poltrona Frau seeks to reiterate the real meaning of contemporary luxury: a luxury that can only come from materials of absolute quality, from profound design and from unrivalled handicraft and productive skill. This is the only way to create a truly exclusive product. A work of art to be admired, to live and appreciate every day, Infinito&infin;. It all started at a quarry in Turkey where the precious ""Rosso Lepanto&rdquo; marble was extracted, characterised by tones ranging from red to violet, and embellished with white streaks. Thanks to some unknown and inexplicable natural event, a small, confined section of mountain took on a deep sage tone with shades of darker green, crossed by the typical clear veining and some small reddish inclusions of the original colour. Roberto Lazzeroni designed a large top with rounded lines that exalts the beauty of the veined green in all its brighter or more subtle nuances. A natural, unrepeatable texture, unique in each table produced. The offset, double-oval shape in part recalls the complementary shapes of yin and yang, in part an overturned 8, the symbol of endless perfection and prosperity: hence the name. Each foot is carved from a single block of white Carrara marble, milled by a robotic arm of special dimensions and hand-finished, but the result is anything but heavy: the shape of a tree opening outwards with its ""branches"", expressing lightness and dynamism and further enhancing the table's elegance and strong sculptural value. The Infinito&infin; table is available in two versions: a limited series of only 8 pieces in the large, double-oval shape, 340x120 cm, supported by two legs. Another 64 pieces have instead been made with the oval top, 220x124 cm, with a single base. In the larger version of the Infinito&infin; table the top is crossed by a thin stainless steel blade that has been obliquely set in the marble, serving as a trait d'union of the two oval surfaces. Given the exceptional nature of the material, the series can never be replicated. A brass plate with Ruthenium finish bearing the Poltrona Frau logo, the designer's signature and the series number of each copy can be found in the centre of the table below the top: from 1 to 8 for the large version and from 1 to 64 for the smaller version.

INFINITO∞ Limited Edition Table

The design principles that made the Times bed unique are revisited in the Times Lounge armchair to create a timeless seat which combines an advanced construction technique with understated and mellow contemporary aesthetics. Designed by Spalvieri &amp; Del Ciotto for Poltrona Frau, the Times Lounge armchair has a sophisticated and ultra-light structure and a cover which naturally assumes its forms like a tailored suit, making it soft and welcoming. The Times Lounge pouf follows the same conceptual lines. The end product is an item designed to complement the armchair and further enhance the experience of comfort, but it is also able to stand alone and be used as a temporary seat. The structure of the Times Lounge armchair is made from solid ash in a moka or wenge stain. The wood has a visible circular cross section and an oval cross section for the lower connecting beams. The armchair cushion support embraces the wooden structure and is made from Pelle Frau&reg; leather. A supporting technical textile located under the seat acts as a spring. The seat and backrest cushions are padded with polyurethane foam and polyester wadding while the armrests are padded with polyester wadding. The lining of the backrest and armrest cushions is stitched as a single element, the lining of the seat cushion is separate and attached to the rest of the lining. The cushions are secured to the structure using hidden zips and snap buttons. The cushions can also be covered with Pelle Frau&reg; leather or fabric. In both cases the cover can be removed. An additional cover can be purchased separately. The structure of the Times Lounge pouf is in solid ash and is distinctive for its two circular-section stands at the sides connected by two oval-section bars which echo the design choices of the armchair. It is available with a moka- or wenge-stained finish. A band of Pelle Frau&reg; leather forms the taut surface over which the second padded cover, in polyurethane foam and polyester wadding, is positioned. The upholstery is available in Pelle Frau&reg; leather or fabric. In both cases the upper padded cover can be removed.

Spalvieri & Del Ciotto | Poltrona Frau wears Loro Piana Interiors

TIMES LOUNGE Armchair + Footrest

Designed by Roberto Lazzeroni, the Peek-a-Book desk embodies all of the typical elegance and comfort of a Poltrona Frau office, ushering it into the domestic setting. Lazzeroni envisages a generous work surface and a design that revisits the materials, warmth and style of his residential collections while at the same time guaranteeing all of the functions of a &ldquo;genuine&rdquo; office desk. The Peek-a-Book desk consists of an extremely simple sheet of poplar plywood covered in Pelle Frau&reg; leather which is curved and folded in two to form the base and the desktop, as well as to accommodate two drawers. The visual effect is that of a valuable leather-bound book that symbolises the function of the object. In fact, the desk is a place for thinking, collecting our thoughts and looking back over our memories: the most intimate and personal side of the person that uses it to study or work. The base structure consists of an easel made from triangular-section solid ash in a moka or wenge stain which forms three trapezium-shaped supports connected to each other with fine joints created in the wood. The front of the two drawers is in MDF covered in Pelle Frau&reg; leather matching the upholstery of the top, while the internal structure is made from solid ash in a wenge stain. The upholstery of the top, the front of the drawers, the side walls and the doors accessing the rear compartments is in Pelle Frau&reg; ColorSphere. The upholstery of the top is produced using a particular covering technique without any visible stitching. Behind the two central drawers, the Peek-a-Book desk has two side flaps that conceal a hollow space. The compartments are designed to act as a conduit for cables and can be used to house multi-sockets or electric cables with Schuko or USB. It is also possible to install a smartphone induction charger under the leather upholstery of the desktop, as suggested by the branded logo.

Roberto lazzeroni

PEEK-A-BOOK Desk

Poltrona Frau and Acqua di Parma, two companies synonymous with consummate Italian craftsmanship and luxury, have combined their expertise to create the Car Diffuser. A follow-up to the successful Domotic Diffuser, the Car Diffuser brings the same unique sensory experience to the automotive sector, with a cutting-edge product in terms of technology, aesthetics and sustainability. Designed by the award-winning GamFratesi duo, the Car Diffuser consists of two elements: the main body (which releases the fragrance) and the lid, both of which are made from a dark grey polymer and lined with a circular cover in fine Pelle Frau&reg; leather, designed to meet all the resistance and safety requirements of the automotive sector. Straightforward and intuitive in terms of both its function and assembly, the Car Diffuser is easily attached to the car&rsquo;s air vent using a specific magnetic support. By switching it "On" and activating the ventilation system, the air passes through the scented refill and disburses the fragrance throughout the car. The product lasts for about three months. The Car Diffuser uses solid fragrances enclosed in special polymer-based &ldquo;pearls&rdquo;, which are in turn contained in the refills. These are interchangeable at any time. They can be purchased separately to cater for personal taste, depending on the journey or the moment: you can choose your favourite scent from among the classic Acqua di Parma fragrances or go for the special Milano essence, created exclusively for Poltrona Frau. The refills are recyclable to minimise their environmental impact. The cover is available in the colours yellow, dark grey and brown, designed to harmoniously match the grey body interior. The "Acqua di Parma meets Poltrona Frau" logo features at the centre of the disc. The initial set included in the kit comprises three fragrances: Milano, Buongiorno and Luce di Colonia.
Packaging: Round hat box lined internally and externally with Giallo Acqua di Parma card and paper. Diameter approx. 105 mm for a height of approx. 85 mm.

GamFratesi - Acqua di Parma meets Poltrona Frau

Car Diffuser

With the Volare Due bed, Roberto Lazzeroni revisits the previous Volare, playing with the contrast between tension and suspension that accentuates the various volumes of the bed and its combinations of leather, wood, saddle leather and fabric. The result is a new version of the product which exudes the same elegance as the original model but without the imposing grandeur of a four-poster bed. The precise design gives rise to a sizeable structure, luxurious in terms of its processing and natural materials, yet discrete and measured at the same time. The Volare Due bed becomes an oasis of comfort and relaxation, perfect for a position in the middle of the room but equally at home against the wall. A warm and welcoming object in terms of its colours and textural combinations. The Volare Due bed has a triangular profile in solid ash wood with moka finish. The bed frame is in tulipwood and entirely upholstered in Cuoio Saddle Extra or Pelle Frau&reg; leather, just like the headboard, which is made of solid beech with internal crossbars in birch plywood and infill with hardboard panels. The headboard is attached to the structure using metal spacers with gunmetal grey finish and held in place using plates with the same finish. The central crossbar and leg, corner plates and cable brackets are made from black painted steel sheet metal. Two soft and sumptuous pillows, padded with polyester wadding and cotton canvas, are attached to the headboard via two leather belts. On the front of the headboard the belts pass through a metal eyelet with gunmetal grey finish and are fixed to the back by buttons also with a gunmetal grey finish and the Poltrona Frau logo. The cushions are upholstered in Pelle Frau&reg; leather or fabric refined with leather border piping.

VOLARE DUE Bed

A shell, almost a petal that houses and protects without closing itself off. The Martha armchair, designed by Roberto Lazzeroni for Poltrona Frau, manages to combine comfort and lightness. Soft forms and fine materials for an airy, relaxed elegance. The Martha rocking chair is its most playful and informal version: the rocking base in solid ash, an authentic masterpiece of wood craftsmanship, creates a comfortable and fun rocking chair. The design of the Martha armchair is based on the meeting of the two main elements of the frame, both in moulded rigid polyurethane. The seat and armrests form part of a single sinuous open profile, the two extremities projecting towards the exterior. The curved and slightly padded backrest appears to float in the air but is actually fixed to the frame with a hidden system. The entire product is supported by a triangular-section wooden easel structure. The seat&rsquo;s slight incline towards the back ensures optimal comfort and emphasises the armchair&rsquo;s dynamic design. The four-legged base is made from solid ash available with a wenge or moka finish. The Martha rocking chair is also supported by a curved solid ash base in the same finishes. The colour effects and material combinations underline the fluidity and lightness of Martha. The outside of the frame is upholstered with a rich shell of Saddle Extra Leather while the inside can be covered in Pelle Frau&reg; leather or fabric. The combination of the two materials is emphasised by the elegant visible contrast stitching carried out by hand. A soft seat cushion with removable cover in Pelle Frau&reg; leather or fabric completes the product. The Martha armchair is 100% FSC&trade; certified for all upholstery combinations that involve the use of Pelle Frau&reg; leather and fabric not containing viscose deriving from forests.

Poltrona Frau wears Loro Piana Interiors

MARTHA Rocking Armchair

Poltrona Frau has carried out an interesting philological work on the Mesa project: on the basis of a number of original designs by Lella and Massimo Vignelli, it has created a number of new versions of the original table, calling them, fittingly, Mesa Due. Due - two - like its simple geometric shapes, a circle and a cone, combined together to form a table bursting with personality and style. The Mesa table model with slate top and load bearing column in pietra serena is joined by new sizes that offer a greater variety of possible uses: the Mesa Due model comes as a bistro table with diameter of 120 cm, a dining table with diameter of 150 or 180 cm, and a rectangular table measuring 260 x 110. The top is available in numerous versions ranging from wood to leather and through to marble. The wood versions are veneered in cut ash wood with moka or wenge stain finish. The 120 and 150 cm round tables can also be upholstered with Pelle Frau&reg; SC leather. In this case the top is made from double panelling with tapered edge. The bottom part is finished with texturised black paint, the top part upholstered in leather. With the exception of the bistro table, all of the other models can be fitted with a Calacatta gold or Fior di Pesco marble top with polished or semi-polished finish. The 180 cm round table can be assembled with a Lazy Susan consisting of two round tops of different diameters. In this case an aluminium swivel mechanism on steel spheres is fitted between the two surfaces. The base of the Mesa Due table can be in grey pietra serena or in steel with upholstery in Cuoio Saddle Extra leather with contrast stitching or Pelle Frau&reg; ColorSphere&reg; with tone-on-tone stitching. The steel base maintains its stability through a special system of internal counterweights and has a plastic shaped tip at the bottom to protect the floor. The joint between the top and the column is made of black painted tubular steel to which a three-bracket joint plate is attached with adjustable supports to keep the surface level. In the rectangular table there are two supporting columns and the joint plates have 3 brackets. Only in the round 150 and 180 cm tables with marble top is there a larger support with five-bracket joint plate. The Mesa Due tables with leather or saddle leather column and top in wood or upholstered in Pelle Frau&reg; leather can come with a hideaway electric socket tower, chosen and requested by the customer upon purchase.

Lella &Massimo Vignelli

MESA DUE Table

The family of Bob side tables, designed by Jean-Marie Massaud and produced by Poltrona Frau since 2006, has been further expanded with the Bob Bistrot line, a series of even more versatile solutions that cater for all requirements also in the hospitality sector. The Bob Bistrot side tables maintain all of the most distinctive features of the original series - outstanding functionality, refined materials and clean designs with the typical cross-shaped base - and come in six different variants notable for their original and sophisticated blends of materials. In fact, the wood, leather, steel and Calacatta gold marble are joined by Fenix NTM&reg;, a hi-tech material with unique characteristics. As well as its extremely matt, anti-fingerprint surface, suitable for food contact and pleasantly soft to the touch, Fenix NTM&reg; is highly resistant to the elements and can be regenerated following minor scratches to the surface. The Bob Bistrot side tables are the perfect complement for the Archibald armchair and stool but can also be easily matched with other models. The six Bob Bistrot side tables can have a round table top, in various diameters, or a square table top. The tops are available in Fenix NTM&reg; in the colours Grigio Londra or Nero Ingo, in birch plywood with Canaletto Walnut veneer, or in Calacatta gold marble (with a glossy finish to which a transparent polyester paint is applied to increase its surface resistance, or a semi-glossy finish for a natural result). The Bob Bistrot side tables have a cross-shaped base in burnished brushed steel and available in different heights. The top part of the leg has a steel structure equipped with a steel collar which can be veneered in Canaletto walnut or painted white, grey or black. The Bob Bistrot side tables come with the following combinations of finishes: Top: Canaletto walnut, Collar: Canaletto walnut veneer, Base: burnished brushed steel Top: Calacatta gold marble, Collar: painted white, Base: burnished brushed steel Top: Fenix NTM&reg; Nero Ingo, Collar: painted black, Base: burnished brushed steel Top: Fenix NTM&reg; Grigio Londra, Collar: painted grey, Base: burnished brushed steel

Jean-Marie Massaud

BOB BISTROT High Table

Poltrona Frau&rsquo;s Archibald family continues to grow with the Archibald Stools. Designer Jean-Marie Massaud revisits the design formulas that are so dear to him: clean and sleek details for the wooden or metal bases, softened by the curved and welcoming forms of the seat covered in Pelle Frau&reg; leather or fabric. The result is a series of impeccably stylish stools whose more informal allure makes them particularly eclectic and suitable for both modern residential spaces and hotels or hospitality. The ideal complement for the Bob Bistrot series of side tables, the Archibald Stools can be easily matched with other styles or decor to add a touch of sophisticated elegance to classic or modern settings. The backrest frame of the Archibald Stools is made from moulded rigid polyurethane. The internal padding is in soft moulded polyurethane and polyester wadding. The seat frame is made from birch plywood with padding in polyurethane foam and polyester wadding. It is supported by an apron which connects it to the base. The seat is upholstered entirely in Pelle Frau&reg; leather or fabric. The Archibald Stools can come with a wooden 4-legged base, available in two heights, or the classic metal stem. In the former, the feet are in solid ash and come with a Moka or Wenge stain, and there is a rectangular-section stainless steel footrest which has a unidirectional brushed finish on the top side and a mirror-polished finish on the other three sides. In the version with metal base the steel stem swivels and its height can be adjusted using a cushioned gas spring controlled by a stainless steel lever positioned underneath the seat to the right. The stainless steel footrest with rectangular section gradually thins towards the outside. The floor base plate is also made of steel. All visible surfaces are in mirror-polished steel except for the top of the footrest which has a unidirectional brushed finish.

ARCHIBALD Stool

Understated and refined, the Kyoto table by architect and designer Gianfranco Frattini is the perfect blend of design vision and master craftsmanship. In the early 70s, during a trip to Japan to study the work of the local craftsmen, Gianfranco Frattini visited the craft workshops of Kyoto together with expert carpenter Pierluigi Ghianda, who would become his friend and collaborator. Inspired by the processing techniques and aesthetics of the area, the designer conceived the idea of a joint that would form the basis of the table of the same name. Production began in 1974 and Kyoto immediately became synonymous with a concept of understatement which, as in the best Italian design tradition, combines a brilliant idea with impeccable execution. In the Kyoto table the concept of construction becomes the object itself. The absence of decorative elements exalts the beauty of the raw material - the Canaletto walnut inserts have a precise strengthening function - requiring great technical ability and care as well as an in-depth knowledge of the material. Revisited by Poltrona Frau with utmost respect for the original project, the Kyoto table reflects the skills and expertise of a new wave of artisans, heirs to the rich Italian wood crafting tradition, and stands alongside Albero and Turner as an example of high-end craftsmanship. The black finish, also borrowed from the original version that Frattini designed together with the carpenter, is created with a black open-pore varnish which is then applied to the solid beech wood structure. In this particular version, in order to maintain the graphical and mechanical effect of the legs inserted in the grating, Frattini decides to colour the tops of the legs with a vibrant red lacquer in homage to the Japanese culture that inspired the project. With this expedient the position of the legs is always visible due to the colour contrast with the tabletop, constituting another distinctive feature of the product. Kyoto forms part of the permanent collection of the Design Museum at the Milan Triennale. The Kyoto table, in beech or black lacquer, is available in the square 102 cm version with a height of 32 cm, or in the 102 x 50 cm version, also 32 cm high. The surface and legs are in Extra light solid beech wood with solid Canaletto walnut inserts at the end of the boards that make up the top. The wooden boards are connected with 45&deg; joints that form a square pattern. Slide-off counterpoise legs can be positioned as desired, and in the black lacquered version the tops of these are painted matt red. There is also a Mini Kyoto version, a reproduction of part of the tabletop with natural beech finish, which consists of six modules fitted together. All surfaces are treated with a protective transparent varnish. The Poltrona Frau logo and the designer&rsquo;s signature are laser engraved on one of the faces of the leg supports.

Gianfranco Frattini

KYOTO Low Table

After Let it Be and Come Together, designed for Poltrona Frau in 2017 and 2018 respectively, Ludovica and Roberto Palomba have designed Get Back, a seating system that once again pays homage to the Beatles. Get Back is inspired by the refrain, &ldquo;Get back, get back, get back to where you once belonged&rdquo;. A playfully schematic text for a project that represents a return to comfort, to a welcoming tailor-made space where you can really feel at home. The Get Back sofa is the product of in-depth research into comfort. Generous, spacious and open lines, reclined backrests that encourage relaxation, two types of armrest, numerous modular elements to combine freely in lots of different compositions. A very light overall effect created by the suspended frame, supported by simple aluminium feet. On top, soft cushions and chaise elements with unexpected depth. An alluring invitation to &ldquo;Get back home&rdquo; and enjoy the relaxing and convivial atmosphere of your living room. The apparent informality of Get Back conceals its close attention to detail. The seat and backrest merge together in a single, extremely light element decorated with thin piping that makes it look as if it has been designed in pencil. The rounded corners make the surfaces even more inviting and a leather armrest enriched with precious stitching embraces the seat from the side, underlining the softness of its forms. The seat and backrest cushions, padded with soft down, create an interesting contrast with the sculpted surfaces of the frame and underline Poltrona Frau&rsquo;s leather processing prowess. The backrest structure is made of solid beech and poplar, birch plywood and infill produced from hardboard panels. The frame of the basic structure is made of die-cast aluminium and solid tulip wood for the covered parts. Elements in moulded polyurethane foam are inserted in the ends of the backrests and the corners of the frame. The base and backrest are padded with polyurethane foam while the armrests are padded with polyurethane and polyester padding. The seat spring system consists of interwoven elastic belts. Seat cushion with down padding and stabilising insert in polyurethane foam. Backrest cushion with down padding in separate chambers. Cast aluminium feet with Ruthenium finish and black nylon caps. Get Back can be upholstered completely in Pelle Frau&reg; leather or in a combination of Pelle Frau&reg; leather with fabric seat and backrest cushions.

Ludovica & Roberto Palomba

GET BACK Modular Sofa

The company&rsquo;s most iconic product, the Vanity Fair armchair encapsulates all of the values of timeless elegance, quality materials and consummate craftsmanship that have made the Poltrona Frau brand a renowned name over the years. Officially called &ldquo;model 904&rdquo; but known, since 1984, as Vanity Fair, this seat has become one of the universal icons of Italian design. The project, which first went into production in 1930, has been revamped by the Poltrona Frau Style &amp; Design Centre on the basis of designs that Renzo Frau left his wife, Savina. To mark the 90th anniversary of the Vanity Fair armchair, the company asked designer Roberto Lazzeroni to revisit it and adjust its proportions to make it even more comfortable and welcoming. The Vanity Fair XC pouf completes the collection. Its curved and organic lines are inspired by the armchair and reinterpret the typical hallmarks of the Art Deco style to make the object a timeless classic. It can also come in a version with practical internal storage compartment. The supporting structure of the Vanity Fair XC armchair is made from solid seasoned beech. The padding uses both hand-shaped vegetable horsehair and rubberised horsehair and the seat cushion is in goose down with a polyurethane foam insert to help maintain its form over time. The seat, backrest and armrest spring system consists of hand-tied steel biconical springs attached to jute belts. A row of leather-covered pins finishes the back and sides of the armchair. The upholstery is available in Pelle Frau&reg; leather or fabric. A plate with gunmetal grey or gold finish bearing the Poltrona Frau&reg; logo is attached to the back of the frame. The Vanity Fair XC pouf has a birch plywood structure. The padding is in polyurethane foam. The MDF base with texturised black varnish finish conceals four plastic swivel castors which are fitted to the bottom of the pouf. The upholstery is available in Pelle Frau&reg; leather or fabric. A brass plate with the Poltrona Frau&reg; logo and gold or gunmetal grey finish is positioned at the back of the pouf. The Vanity Fair XC pouf with storage compartment has a birch plywood structure with high-density millboard panel infill inside the storage space. The lid with polyurethane foam padding is in birch plywood. The inside of the storage compartment is lined with black technical fabric. The opening mechanism is equipped with a system that holds the cover in place when it is opened and softens its closure. All metal parts of the mechanism and the hinges are in nickel-plated steel.

Poltrona Frau Style & Design Centre

VANITY FAIR XC Armchair + Pouf

Inspired by his iconic Archibald chair, Wallpaper*Award in the &ldquo;Best Domestic Design&rdquo; section in 2009, Jean-Marie Massaud provides a sleeker and more informal take on the original model, creating another of the most beloved and distinctive products in the Poltrona Frau catalogue. When designing the Archibald Gran Comfort armchair Jean-Marie Massaud envisaged a kind of overabundant soft bag that creates a rich movement of folds as it fits over and drops down onto a thin metal architecture with steel frame and feet. The result was a welcoming and sophisticated contrast of volumes and materials that soon became a recognised model of contemporary elegance. Archibald Gran Comfort also stands out for its particular technical characteristics. In fact, the armchair was created with the idea that it could be easily disassembled into its component parts: a metal frame, a soft goose down quilt and an external cover, applied one on top of the other. In this way the leather and the fabric are fixed to the framee with removable Velcro straps, concealed in the area of contact with the outer frame. A solution that makes the product more practical and also sustainable in the sense that it can easily be disassembled at the end of its life. The soft Archibald Gran Comfort pouf is the natural complement to the armchair.
The base of the Archibald Gran Comfort sits on four steel feet connected by an outer frame with ruthenium finish. The seat structure is made from beech. The backrest structure is steel with perimeter infill consisting of elastic belts, while the shaped upper part is made from deformable rubber. Both structures are finished with scratchproof black paint. The seat spring system consists of elastic belts. The seat and backrest padding is composed of two shaped cushions in polyurethane foam, attached to the metal frame using strips of Velcro. The cushions are covered with a goose down quilt, also fixed in place with Velcro strips. The exterior upholstery of the Archibald Gran Comfort is available in Pelle Frau&reg; Safari leather or in a selection of Poltrona Frau fabrics, and the covers can be removed from both versions. In the leather version the edge is raw cut and hand-painted in a matching colour. Choice between tone-on-tone or contrast stitching. In the fabric version the stitching is tone-on-tone. The Archibald Gran Comfort pouf replicates the technical characteristics of the armchair.

ARCHIBALD GRAND COMFORT Armchair

The warmth of wool, the softness of cashmere, the natural beauty of fine fibres. Sophisticated colours and combinations, rich and refined patterns. The Loro Piana Interiors Decorative Cushions add a valuable and authentic personal touch to the rooms of the home. The collection, designed by Poltrona Frau Style &amp; Design Centre, is a product of the Poltrona Frau wears Loro Piana Interiors project, created to further expand Poltrona Frau&rsquo;s range of textile solutions and offer its customers even rarer and more precious sensory experiences. The Loro Piana Interiors Decorative Cushions are upholstered with Altai and Zelander&reg; Check fabrics. Altai is a refined wool and cashmere blend that combines the best qualities of both fibres. On one hand, it features the remarkable softness of the finest cashmere while on the other the resistance and warmth of carefully selected Merino wools exclusively from Australia and New Zealand. Sporting classic check patterns, Zelander&reg; is obtained by processing a high-quality Merino wool from New Zealand notable for its remarkable sheen and resistance. With its understated style, it is perfect for creating padded products of composed elegance. Like all wools, it is naturally fire resistant. The edges of the Loro Piana Interiors cushions are embellished with border piping and the Poltrona Frau logo in Pelle SC leather matching the fabric. On the back, a label certifies the originality of the Loro Piana Interiors fabric.

Poltrona Frau Style and Design Centre

DECORATIVE CUSHIONS - LORO PIANA INTERIORS

In the world of Japanese calligraphy there is an invisible but deliberate continuity between points, lines and characters called &ldquo;iren&rdquo; (意連). This continuous motion ensures that there is a perfect harmony between the symbols even though they appear divided. Even in an era like ours, so dominated by technology, the spirit of the Iren desk lies not only in its quest for beauty and simplicity but above all in its revival of a natural and harmonious action: a desk that gives rise to new work scenarios and rituals in a naturally fluid relationship between body and object. Designer Kensaku Oshiro envisaged the Iren desk as a small domestic workstation that easily adapts to modern lifestyles. Thanks to a simple motion, two overlapping surfaces slide over each other to create new work and storage spaces. The beauty of the desk is not diminished by its electronic connections: its recharging and USB points are located in a metallic black box that supports the upper surface, wrapped in an elegant leather or saddle-leather cover. The gently sloping upper surface ensures a softer feel while also providing better support for the forearms. The wall version can have an LED light fitted at the back so the desk can be used when the natural light starts to dim. The Iren desk by Poltrona Frau comes in a free-standing version, with the desktop supported by a sawhorse base in solid ash, or a wall-mounted version, supported by brackets. The customer can choose whether the desktop slides left or right when making their order. The work surface of the Iren desk increases from 119 cm to 149 cm when the sliding top is completely open. The visible wooden parts are in ash in either a Moka or Wenge stain. The desktops can be upholstered in leather or saddle-leather with tone-on-tone or contrast stitching around the edges. The Poltrona Frau logo is branded on the bottom right of the sliding surface.

Kensaku Oshiro

IREN Home-Desk

With its soft and generous lines the Lola Darling bed enchants at first glance. The sizeable headboard is shaped with technical ability and artisanal know-how, gently opening at the sides. With Lola Darling, Roberto Lazzeroni offers his interpretation of the iconic Poltrona Frau capitonn&eacute;. He softens and modernises it without detracting from its three-dimensionality. The virtuoso-quality leather processing replaces the traditional buttons with a pattern of thin, delicately convex stitched diamonds or simple vertical stitching in the version with fabric headboard. Every detail exudes elegance, beginning with the tone-on-tone Pelle Frau&reg; leather border piping which embellishes the inside and outside edges of the headboard and bed frame. The headboard structure is in solid beech and birch plywood. The two lateral parts are shaped and made from moulded polyurethane foam. The padding is in polyurethane foam and polyester wadding. The Lola Darling bed can be completely upholstered in Pelle Frau&reg; leather or upholstered with a removable fabric cover on the front of the headboard. In both cases a gentle curved effect is created, emphasising the softness of the cover. The cylindrical aluminium feet are either lacquered black or covered with Pelle Frau&reg; leather matching the upholstery of the bed.

LOLA DARLING Bed

In designing the Pierre side tables, Jean-Marie Massaud carries out an in-depth study of the material, exploring the maximum expressive potential of marble and reinterpreting it in a completely original way. In fact, in the three Pierre side tables designed for Poltrona Frau, the top surface is obtained by cutting a sheet of Nero Pagoda marble into tiles of different width which are then turned so that the natural veins of the marble become straight lines running parallel to the longest side of the table. The effect is highly graphical, modern and stylish, simple on the surface yet requiring consummate expertise in the preparation and assembly of the material. Meanwhile, the Calacatta gold marble finish is obtained from a single sheet and respects the different characteristics of this type of marble. In both versions, an aluminium frame, deceptively straightforward in appearance, showcases the natural beauty of the surface. The Pierre side tables consist of an L-section aluminium frame and an underlying base made from tubular steel with knurled aluminium feet. The entire product is lacquered with a burnished finish. The marble tops are available in Nero Pagoda marble with Natural glossy finish or Calacatta gold marble. The latter can be treated with a glossy finish, to which a transparent polyester paint is applied to increase its surface resistance, or a semi-glossy finish for a more natural look. The tops in Nero Pagoda marble are made by combining tiles of different width cut in such a way that the veins run parallel to the longest side of the table, while the Calacatta gold marble tops are made from a single sheet.

PIERRE Low Table

A game of solids and voids, an attentive study of materials and forms and a design approach which operates by subtraction until it achieves the perfect balance between simplicity and elegance. The Mi storage units designed by Neri &amp; Hu for Poltrona Frau play around with light, shade and transparencies to conceal or reveal the objects they house. Mi is a Chinese pinyin word with a dual meaning used to express both the action of &ldquo;looking&rdquo; but also the word &ldquo;secret&rdquo;, which inspired this project. In fact, in the Mi storage units, rather than being displayed in full view the objects are hidden by the oblong external shell. You can only discover them by peeking through a layer of tempered glass which closes the space left by the shelves, raised and separated from the body of the unit. The external surface of the Mi storage units is upholstered in Saddle Extra leather, which is embellished with an original vertical striped cannet&eacute; texture that gives the product a 3D effect. A thin but solid metal structure frames the body of the product and acts as a link with the raised top in Calacutta gold or Nero Marquinia marble. The Mi collection consists of three elements: a tall 2-door Mi cabinet, a low 4-door Mi cabinet with book opening, and a Mi trolley on wheels. The structure of the Mi storage units consists of a metal frame with burnished brushed steel finish which also acts as the base. The sides of the units consist of curved panels in poplar plywood while the bottoms and backs are made from birch plywood. To make them even lighter, the doors are made from honeycomb panels. The insides and bottom of the units are veneered in Canaletto walnut. The upper frame of the cabinet and the doors are made from solid Canaletto walnut. Both the two-door and the low four-door Mi cabinets contain shelves made of tempered glass with bronze finish while the top surface, also in tempered glass with bronze finish, offers a glimpse of the inside, like a display cabinet. The Mi High Cabinet has two doors which can be opened. Meanwhile, in the Mi Low Cabinet the 4 doors can be opened two by two like a book. Magnets maintain the doors securely shut. The structure has adjustable feet. The frame of the Mi trolley is fitted with 4 black plastic and steel swivel castors. In the upper part of the trolley the frame finishes with a tube in burnished brushed steel which follows the shape of the product and acts as a handle. One side of the grip is covered with Cuoio Saddle Extra leather matching the upholstery of the trolley, with hand stitching. The internal space is fitted with a tempered glass shelf which can be set at 3 different heights. The top is raised from the wooden body and can be made from Calacatta gold marble or Nero Marquinia marble. Both are available with a glossy finish to which a transparent polyester paint is applied to increase its surface resistance, or a semi-glossy finish for a more natural result. The exterior of the Mi storage units is upholstered in Saddle Extra leather printed with a cannet&eacute; texture. There are four possible colours: Carbone, Cammello, Polvere and Corda.

Neri & Hu

MI Storage Units

Designed by Jean-Marie Massaud for Poltrona Frau, the In the Mood seating system was conceived to allow fabric and leather express themselves as expanses of soft and welcoming surfaces. A strongly horizontal design for a sofa of sophisticated simplicity that wears both finishes with consummate sartorial elegance. The large padded surfaces and minimalist, almost elementary, design of the In the Mood sofa are particularly successful at bringing out the beauty of the upholstery, in fine Pelle Frau* leather or in numerous patterns of fabrics and splendid shades of ColorSphere&reg;. The characteristic sleekness of the feet projected towards the centre of the seat creates a dynamic tension that exudes energy and lightness. Sartorial stitching details, typical of Poltrona Frau&rsquo;s history in upholstery, are given a contemporary twist, like the leather or fabric piping that defines the edges of the sofa. The In the Mood seating system is available in numerous two or three-seater combinations. These can be enhanced with a curved 45&deg; element that breaks up the classic rigidity of the angular configurations, and with three different types of armrest. The frame of the In the Mood sofa is in tubular metal with interwoven elastic belts. The padding is in variable density CFC-free polyurethane foam and pressed felt. The backrests and armrests are made from birch plywood and hardboard panels with padding in polyurethane foam and polyester wadding. The seat cushions are padded with goose down and polyester wadding with stabilising polyurethane foam insert. The backrest cushions are padded in firmus with separate horizontal chambers to distinguish the various areas of comfort. The feet are in ruthenium-coloured burnished aluminium with protective caps. The upholstery is available entirely in Pelle Frau&reg; leather or in fabric. The In the Mood sofa is refined with piping that outlines its edges. In the leather version the piping is always in leather, while in the fabric version the piping can be in leather or matching fabric. It is always possible to remove the covers from the cushions while the covers of the backrest, armrest and frame can only be removed in the fabric versions. In the Mood can be configured with different types of armrests: Medium, low, and low outfitted armrest with a flap that accesses a storage compartment covered with black Alcantara and completed with a sliding multipurpose tray made from ash in a wenge stain.

IN THE MOOD Modular Sofa

The Smart Home Diffuser was jointly developed by Poltrona Frau and Acqua di Parma. This brand new partnership between two high-profile Italian luxury companies has not only resulted in a cutting-edge product in terms of technology, design, but also a new sensory experience for us to enjoy everyday in our homes. Designed by the GamFratesi duo, the Smart Domotic Diffuser consists of two elements: the main body, which releases the fragrance, and a circular cover in fine Pelle Frau&reg; leather, available in four different colours, or in Cuoio Saddle Extra leather. The extremely linear design is composed of two leather or saddle-leather discs with contrast stitching and a tone-on-tone dyed edge. A semi-flexible plastic support guarantees its stability. The Smart Home Diffuser uses fragrances contained in special &ldquo;pearls&rdquo;, which are in turn enclosed in the refills. The initial set comprises three fragrances: Milano, Buongiorno and Luce di Colonia. The fragrance refills can be purchased separately to cater for personal taste: you can choose your favourite scent from among the classic Acqua di Parma fragrances or opt for the special Milano essence, created exclusively for Poltrona Frau. The Smart Domotic Diffuser has room for three essences, that can be activated directly on the diffuser or via the app. Developed for Smart Home Diffuser, the app allows users to programme the diffusion of the scents, defining their intensity and type. You can therefore choose your favourite scent to diffuse around the room, and there is also the option to set it to diffuse at specific times or days during the week or month. Smart Home Diffuser is managed by a special algorithm that is able to optimize the emit of the fragrance. The Smart Home Diffuser includes a 5V lithium ion battery with a capacity of 1000 mAh. Power supply 5 VDC - 800mAh. 12-month warranty from date of purchase. The cover consists of two 24-cm diameter hand-sewn discs of Pelle Frau&reg; leather or Cuoio Saddle Extra leather, raw cut with tone-on-tone dyed edge. The stitching is carried out with grey onyx 51 yarn, as is the bar tack that joins the two discs. The following colours and combinations are available: - Pelle Frau&reg; SC Giallo Acqua di Parma - Pelle Frau&reg; SC 279 Alchemy - Pelle Frau&reg; SC 92 Garnet - Pelle Frau&reg; SC 24 Maggese - Cuoio Saddle Extra Cammello The ""Acqua di Parma meets Poltrona Frau"" logo features at the centre of the cover. The set of three fragrance refills included with the diffuser contains the scents: Milano, Buongiorno and Luce di Colonia. Packaging: Round hat box lined internally and externally with Giallo Parma card and paper. Diameter approx. 335 mm for a height of approx. 185 mm.

Smart Home Diffuser

A tribute to the capital of design, fashion, and timeless, understated and sophisticated elegance: a city that has much in common with Poltrona Frau. The Milano fragrance, created by Acqua di Parma exclusively for the Tolentino brand, is now also available as a scented candle. Modern and sophisticated notes evoke the essence of a city famous all over the world for its style. Tonka Bean, Cinnamon and Indonesian Patchouli Wood are combined with Haitian Vetiver in a rich bouquet of noble essences, whose airy and elegant notes are inspired by the international allure of the city. The base notes of the fragrance transport us into Milan&rsquo;s blossoming parks and gardens during the spring: subtle hints of Musk, Rose and Violet add a delicate and gentle touch, completing the olfactory portrait of a fascinating and multifaceted city of many contrasts. The Milano scented candle comes in a refined grey satin glass holder notable for the white label bearing the Poltrona Frau logo and the name of the fragrance. Notes: Woody Oriental. Black Leather, Tonka Bean, Violet, Patchouli Essential Oil, Vetiver Essential Oil, Cinnamon, White Musk. Size: height 93 mm, base diameter 72 mm.

Poltrona Frau Style and Design Centre / Acqua di Parma

MILANO Scented Candle

The Aspen plaid is pure softness. Designed by Simona Cremascoli for Poltrona Frau, it is made from precious Boucl&eacute; Alpaca, part of the Loro Piana Interiors fabric collection. The collection has been developed as part of the Poltrona Frau wears Loro Piana Interiors project, created to further expand Poltrona Frau&rsquo;s range of textile solutions and offer its customers even rarer and more precious sensory experiences. In addition to the particular fabrics used for plaids and cushions, it includes a specific selection of the most important Loro Piana Interiors fibres, ranging from fine wools to 100% cashmere. The Aspen plaid was created using Boucl&eacute; Alpaca in the colours Blend Zen and Sitatunga Gold. Alpaca Boucl&eacute; is a double-sided fabric in Suri Alpaca and wool, produced using boucl&eacute; yarns. Suri Alpaca is the finest and rarest breed, making up just 1% of the population of these animals. It is a glossy and incredibly robust fibre that is combined with wool in this particular fabric, presenting a chevron pattern on one side while sporting m&eacute;lange tones on the other. The Aspen plaid measures 140cm x 180cm and its edges play around with the different patterns on the two sides. The Poltrona Frau logo is branded on a leather tag stitched in the bottom right of the plain woven side. On the back of the plaid a label certifies the originality of the Loro Piana Interiors fabric.

Simona Cremascoli - Poltrona Frau wears Loro Piana Interiors

ASPEN Blanket

Soffi. The purity of light and glass blown by skilful Venetian artisans. GamFratesi&rsquo;s minimalist design captures the exact moment in which the blowing technique gives the glass its form. Delicate and irregular globes seem to emerge from a slim saddle-leather strap, suspended in space by gravity. Soffi lamps consist of two elements, both in blown glass. The outer globe, ethereal and almost weightless, is in faded milk white or smoky grey tones. Inside, the light fitting, in matt white blown glass with a pearl finish, is visibly more solid. The light produced by the lamp is evenly diffused and brings out the faded colour of the external glass and its gradual transparency. A magical and harmonious effect, perfect in various settings, made even more evocative by the unique nature of every Soffi lamp. The blowing of body-tinted glass produces different nuances and irregularities in the shape of the light. The refined Cuoio Saddle Extra leather strap comes with two finishes, Camel or Taupe, with contrast stitching and tone-on-tone raw-edge seam. A saddle-leather loop conceals the joint of the strap. The Poltrona Frau logo is branded on the strap. All internal metal parts have a brushed brass finish. The roses are in polished stainless steel with adjustable transparent cables. The Soffi collection includes three sizes of lights, small, medium and large, which can be combined in different configurations. As well as the single lamps, linear compositions with three globes and bunch compositions with three or five globes. There are two chandelier compositions: the first consists of two concentric rings of different diameters, covered in Saddle Extra leather, which accommodate nine medium-sized lights, six on the larger ring and three on the smaller inner ring. The eighteen-globe chandelier composition consists of three concentric rings of different diameters, covered in Saddle Extra leather and positioned at different and customisable heights. Hanging from these are eighteen medium-size lights, nine on the larger ring, six on the medium ring and three on the smaller ring.